Counterculture

When the movie was released, it was obvious that it was non a typical film in any maven of the word. Unlike conventional liberal films of its era, Easy Rider essay to re-create a real problem on a national level. This analysis of Easy Rider discusses the movie's themes, the channel and pilgrimage motifs, the mise-en-scene and stylistic elements used to create meaning in the film.

The main theme of the film is the exploration of the political dichotomy of its time. other theme is that of male bonding in terms of the movie's road and journey motifs. As the definitive youth odyssey film of its time, the journey motif is used throughout the film, symbolizing the search that billystick (Dennis Hopper) and Wyatt (Peter Fonda), also greetn as Captain America, undertake to harness meaning in their lives, and the freedom to "do their own thing." baton and Wyatt are not heroes; they are out law of natures in the same dash of glamorous protagonists of Western films. Their names evoke billystick the squirt and Wyatt Earp, reminiscent of those two criminal nonconformists who operated outside the realm of the law and conventional, "normal" society. The film is not one-sided. All the characters are examined for aspects of their personalities that kick down to the ills that plagued the outcome in which it was set. Hopper not only star in the film but also co-wrote and directed it, and he dealt with the violence and paranoia of both sides of the ideol

Ellis, fathead C. A History of Film. 4th edition. Boston: Allyn & Bacon, 1995.

As baton and Wyatt are riding down South, they are spotted by a couple of "country boys" in a pick-up motortruck; the two are very close to Billy and Wyatt in age.

The guy in the passenger seat, points his shotgun at Billy saying, "Why don't you go and beguile a h publicizecut?" Billy's reply is to " take hold him the finger," at which point the man shoots him. Wyatt rides back to Billy, sees him dying, and rides off to get help. At the same time, there is a shot of the pellet telling the driver "we've got to go back." As they turn rough to go back, they see Wyatt and another shot rings out. The undermentioned shot is Wyatt's bike leaping up in the air in a bullock block of flame as it explodes. The ball of flame is the final image of the film, an image that lets the audience know that the journey for the freedom of open spaces and personal freedom has failed, or as Wyatt remarked earlier, "We blew it." The end of the film signifies that the America Billy and Wyatt were spirit for was not yet ready for the diversity that exists today. Although the current period may be more accepting of diversity, however, bigotry and patronage for people who are "different" still exists.

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