The most Striking Qualities of Kafka's Writing

Of course, we're talking most cling here, an experienced, poetic composer who knows better than to get too exact in writing his lyrics. He understands that the best tenors leave a get by of room for personal interpretation. Copland argues that all music has sum nevertheless that this meaning can't be stated because it changes depending on the way it's comprehend and even depending on the mood of the attender.

I have perceive "Fields of Holly" as a sweet song about enduring love and as a wistful contemplation about loss and longing, the impression changing with my own roll of mind and the weather. As I was listening to it just now, the solarize suddenly came out outside my window, and I saw the " palm of gold" as golden rolling hills in virtuoso of Van Gogh's happier paintings, when just a moment before I was picturing wheat fields under a cloudy, menacing sky just before the storm in the outer space arrives.

Listening for meaning, I noticed as well that the song begins with a single note that Sting doesn't use once again but that can be heard as both hopeful or ominous. The use of more traditional instruments - strings, harmonica, a woodblock keeping time, rather than a rock band operose - also gives the song a more wistful, timeless meaning that matches the more traditional-sounding lyrics.

It gives the whole song a sense of archives that makes it possible to hear it either as a

In the end, though, I found it rightfully hard to separate the three planes to become the active listener that Copland encourages. This is, in part, because I'm not sure I agree that these be each distinct ways of listening or that these ar the only three ways to listen to music. I speak up Copland is a remarkable composer himself, but he doesn't really lead me that the sensuous plane and the sheerly musical comedy one are so different or that a listener without musical reproduction would really be able to separate out the aspects of the musical plane that might make it distinct. I have some understanding of musical structure, for instance, but I don't know enough about dissonance or rhythmic structure to be sure that the way that Sting uses them in "Fields of sumptuous" affects the impact it has on me.

In his arms she fell as her hair came down

We'll forget the sun in his jealous sky

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