Theatre of the Absurd

Theatre of the Absurd Term coined by Martin Esslin, who wrote The Theatre of the Absurd. Works in drama and prose faction with the common ancestor: * human modify is basically absurd and * this condition can be equal properly only by literature that is absurd in itself Movement emerged in France after WWII against the handed-down beliefs and values of traditional lit and culture: * assumption that man is a sensible creature, * part of an ordered social structure, * inhabiting an intelligible universe and * unresolved of heroism and dignity even in defeat After 1940s, lean to see man as * Isolated * Living in an strange universe which has no truth, value or meaning (no vagary of divine retribution etc.

) * Life meaningless moving from naught to nothing no discernable reason for existence An existence tormented and absurd Eugene Ionesco of the theatre for the absurd puts it: Cut off from his religious, metaphysical and transcendental roots, man is lost; all his actions become senseless, absurd, ineffective In his La Tentation de loccident, Andre Malraux remarked: at the centre of European man, dominating the great moments of his life, there lies an essential absurdity. This theme is expounded in Camus The Myth of Sisyphus: A vision of life essentially absurd * Without apparent purpose * Out of harmony with its surroundings * Sad to the point of anguish * At the same time, in a laconic fashion, funny He emphasizes: * unhealthful nature of time * Feeling of solitude in a ill world * Sense of isolation from other human beings Methods: 1. free rein consciously does away with traditional plot structure 2. Shows human beings assay with the irrationality of experience, in a state that has been described as metaphysical anguish 3. Leads the spectator into a complicated... If you want to subscribe a full essay, order it on our website: Orderessay

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