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February 5, 2013

Oliver Twist

Examine different ways in which ogre creates and uses settings in the novel Oliver Twist.

In the novel Oliver Twist, Dickens uses a all-embracing range of settings. In chapter 8, innocent Oliver is taken to meet the unfairness villain Fagin by the Artful Dodger. In this extract, Dickens describes both Fagin and his disgusting den. ‘The walls and ceiling of the room were perfectly black with succession and dirt’ is describing Fagin’s decrepit den, but I regard it reflects Fagin’s personality too. This chapter is the first time that the reader is introduced to Fagin and Dickens has already created the image that he is very pestiferous and doesn’t care for cleanliness, hence why his den is in much(prenominal) a dirty state. Later in the novel, Fagin is again draw as quite disgusting and unclean, ‘…dressed in a smarmy flannel gown’. Dickens is suggesting that Fagin was quite slimy and then dressed in almost rags for clothes. The word ‘greasy’ is usually associated with dirt, keeping with the lexical field of Fagin world unclean and rather disgusting.

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This could also be suggesting that it isn’t just Fagin’s clothes that are unclean, but that he is host to a dirty, greasy personality due to his exploitation of vulnerable children and therefore not a very appealing man at all. ‘...toasting-fork in his hand’ could be implying that Dickens is describing Fagin as the chide in hell, his den being hell for the innocent children caught up in his criminal activities. Dickens highlights he is an evil percentage by describing Fagin as an ‘old shrivelled Jew’, by this exposition of a Jew, Fagin is automatically perceived as evil because in the Victorian era, the population were very racist towards the Jewish religion, anyone being a Jew immediately recognised as a unimaginative villain. This chapter links in with most other settings from the novel, as it is base around the poverty of Victorian London and...If you want to pop out a full essay, order it on our website: Orderessay



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