Double Framing in the "The Heart of Darkness"

Marlow com manpowerts on society at the same time, and to him, society is more an idea than a public:

The conquest of the earth, which mostly means the taking it away from those who possess a different complexion or slightly coddle noses than ourselves, is not a pretty thing when you look into it excessively much. What redeems it is the idea only. An idea at the back of it; not a senti manpowertal pretense but an idea; and an unselfish touch in the idea--something you can set up, and bow down before, and expand a sacrifice to. . . (Conrad 10).

Clearly, there is a racist broker in the "idea only," for that idea is that Europeans have a even up to extend their domain at the expense of others. Marlow may sorrow the fact that this is so, but in the end there is zippo he can do about it but hope it. Marlow is always the moralist, and his place in the novel is to be select in understanding compared to his audience on the deck. The men listen to him represent a spectrum of social types and values, and yet they appreciate what Marlow tells them, wake that his point of view somehow transcends their own more expressage perspectives.

What is apparent in the novel is that there is always an ambiguity in Marlow just as in other Europeans. Europeans as a group are drawn to different separate of the world, and yet they always believe that their own society is the best. This flavor forces them always to manipulate other

batchs in the world as lesser beings who, at best, impoverishment to be parented. Europeans serve the role of parents. Marlow notes how he and the other men on the yacht are linked, but the link is not British polish but the sea, which is a metaphor for plump and for exposure to far more of the world than most people ever see:

Marlow lies to the Intended and withholds the horror from her. As he tells this story to the men on the deck, he is telling them something that has interpreted place in the past and that is thus finished.

He has already been to the heart of apparition, and now he is illuminating that journey for these men, men who may have never made that journey themselves. He sees the darkness that existed once on the river, long before civilization came and fought back the darkness to bring forth the light. Even so, of course, the darkness is always still-hunting just beyond sight, just as it continues to lurk in the human soul. The fact that Kurtz has gained awareness is apparent in his repeating of "The horror!" Marlow has not seen the horror as at once as has Kurtz, but he knows what it is and that it exists not only in the jungle but in the human heart. Marlow may see that the heart can be in a body of any race, but it does seem that all that is worst is ascribed to blacks in the novel.

One ship is very much like some other and the sea is always the same. In the immutability of their surroundings, the irrelevant shores, the foreign faces, the changing intensity of life glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance, for there is nothing shady to a seaman unless it be the sea itself . . . For the rest, after his hours of work, a casual stroll or a casual
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