A woman's conscientiousness in guarding her virginity and governing her sexual style features in two of the plays. However, in this play, a woman's honor is more than just the merit of the man-to-man woman. In fact, her virtue in guarding her honor is cerebrate to the village. Therefore, when Fernan Gomez boasts of the fact that he sleeps with the married women in the village, Esteban, the alderman asserts that these women have dishonor themselves. Furthermore, Esteban pleads with Fernan Gomez not to "try to rob us of our honor" (2.95). Although Gomez seeks to cut down his arbitrary desires on the village because of his rank, Esteban's response illustrates the fact that thither is a higher honor that goes beyond the trappings of a title.
While Esteban's conception of "honor" in this act seems to be limited to the sexuality of women, it actually refers to the idea of virtue and character. For a woman, the way she behaves sexually is a strong indication of her character. Fernan Gomez's behavior towards the women is more than just a reflection of the women's lack of virtue. It also testifies to the weaknesses of the men in the village in accepting this enunciate of affairs.
n fact, the honor of the men and women becomes interconnected in this play. Towards the end of the play, the men become placed to rescue their village and reclaim their honor when Laurencia bursts into the meeting room and mocks at their lack of braveness (3.115-6). In this instance, honor is manifested in the form of braveness. Furthermore, in Laurencia's tirade against the men, she expands the conception of honor for women by transforming them not precisely into virtuous women, but Amazons who "alone [will] pull through our honor from these tyrants, /And makes these traitors bleed!" (3.116). Thus, in Laurencia's depiction, the honor that is associated with men's courage and fighting ability can also be delusive by women.
Therefore, in de Vega's play, women play a highly proactive role in acquiring honor for themselves. Instead of beingness passive victims, Laurencia and her fellow peasant women also become a part of the rebellion against Fernan Gomez (3.120).
In this play, honor is not only limited to the outward exhibition of courage and play. The inner courage required to endure the tortures of the judge who is sent to punish the individual responsible for Fernan Gomez's death is also an example of honor. The village of Fuente Ovejuna, from issue boys to women, shows that their inhabitants are truly honorable people who will present their lives for the protection of the honor of their village (3.134).
In reality, break Juan's transaction with the ghost is his first "honorable" act. Not only has he treated women badly, he even double-crosses the Marquis who considers Don Juan his friend. wise to(p) that the Marquis is in love with Dona Ana, Don Juan plots to dishonor her and destroy the relationship between the Marquis and Dona Ana (2.172-3). Furthermore, he sets it up so that the Marquis will be held responsible for the crime committed. Although Don Juan's dishonorable acts seem to affect women, they also adversely cut the virtuous men who are held responsible for his action
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