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February 18, 2013

Downloading Music

SECTION ONE: DO YOU GET WHAT YOU PAY FOR?
many another(prenominal) people believe that you place what you pay for., this applies to d throwloading free kernel too. Anyone who has downloaded a free audio commit knows the quality varies good and the ability to stand for the file on any maneuver is not assured. But what about when consumers pay for a download, such as on iTunes? As they fill up their practical(prenominal) shopping carts with harmony and shell out their hard-earned money, what expectations do they save?
cardinal out of five consumers feel that if they pay for a melody download, they should be able to play that music file on any device they own. Currently, some online music vendors lower limits on the number and type of devices buyers can burn/ enthral their music files to. Additionally, the use of many different digital rights management, or DRM, systems and file types has led to incompatibilities between music files and various audio devices. So even when buyers are legally entitled to play their music files on a given device, they must low make sure the music and the player are compatible.

Four out of five consumers also say they would prefer to own the music they buy forever as if they were buying a traditional CD rather than rent it for some point in time of time.

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The idea of music files having expiration dates or requiring an active, paid-up nib with an online store does not appear to sit well with close to consumers.
Over one-half(a) think that paying to download music ought to entitle them to use it creatively any way they want, and half expect that they ought to be able to share it with friends or family for free. Online music retailers should be encouraged by the fact that more than half of consumers expect to pay for music they download from the internet
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