Bob Dylan's Composition and Contributions to Music

He was also influenced by Beat poet Allen Ginsburg.

Dylan is not formally or classically trained. His acoustical compositions soon gave way to electric guitar compositions that generated a great adopt of scorn from other musicians of the era, including Woody Guthrie, although Johnny Cash support his transition. As to the nature of his playing and his technique, Dylan himself maintains "I play the mouth harp like I play the piano. I don't really requirement to listen to what I'm playing. I can tell if I'm playing it wrong, when it's not going to appeal to anybody?If I put it into the beat, right on the one or the three, that's really basically all I have to do?It will form a sweet structure on its own" (Scaggs, 2004, p. 46).

Dylan's folk and rock var.s were the go of a generation, a countercultural movement opposed to the Vietnam war, capitalism and the smooth and static nature of the status quo. In his compositions, Dylan added lyrics that targeted social injustice, racial discrimination and other social ills. His music raised its sound against presidential term policies and social attitudes. In "Hurricane," Dylan took up the cause of wrongly immure boxer Rueben "Hurricane" Carter. He attacked racism and prejudice in "The demise of Emmett Till," in which he describes the lynching of a young sinister male, "If you can't speak out against this kind of thing, / A crime that's so unjust, /

Of Jewish origin with a tough upbringing on the streets of Minnesota, Robbie Robertson (2004, p. 66) maintains that "There was a hardness, a toughness, in the way he approaches his songs." Numerous musicians the world all over were influenced by Dylan's compositions as was the world in which they lived.

"Hurricane" helped free a wrongly imprisoned Carter, "Blowing in the Wind" became the protest song that characterized a generation of youth opposed to America's involvement in Vietnam, and Dylan's influence on countless musicians from John Lennon and the Beatles to today's Bono and U2 is unparalleled. As creator Clash singer Joe Strummer asserts, "He laid down the template for lyric, tune, seriousness, spirituality, and depth of rock music" (Bob, 2001, p. 1).

Your eyes are make full with dead men's dirt, / Your mind is filled with dust" (Dylan, 2005, p. D1).

Dylan, B. (2005). pilot lyrics. Viewed on May 3, 2005: http://orad.dent.kyushu-u.ac.jp/dylan/song.html

Robertson, R. (2004, Apr 15). Bob Dylan. Rolling Stone, 946, 66-67.

Chabon, M. (2001, Jun 7). bright birthday Bob. Rolling Stone, 870, 48-52.

Gates, D. (1997, Oct 6). Dylan revisited. Newsweek, 130(14), 62-68.

Cocks, J. (1998, Jun 8). Bob Dylan. Time, 23, 108-110.

Dylan continues to compose and perform. His music has encompassed cycle per second and blues, folk, rock n' roll, and acoustic versions of blues songs like his Grammy-winning "World asleep(p) Wrong" a decade ago. While many ofttimes feel Dylan's songs are
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